Los fundamentos de la música litúrgica: una relectura a partir de la noción de participatio actuosa y de communio

Camilo Gouet Viveros

doi:10.21703/rfwh3285

Authors

Camilo Gouet Viveros Catholic University of Paris https://orcid.org/0009-0006-3643-9148

DOI:

https://doi.org/10.21703/rfwh3285

Keywords:

music, liturgy, active participation, liturgical chant

Abstract

This article addresses the main purpose of music in the liturgy, and its mode of realization. Based on magisterial texts, the author proposes that liturgical music, being a constitutive part of the solemn liturgy, participates in the proper purpose of the liturgy itself: the public worship due to God and the sanctification of the world. Music is faithful to its munus ministeriale by guiding and disposing the People of God to actively participate in the paschal mystery that is announced, actualized and communicated in the liturgy. Due to its Christ-conforming capacity to elevate the spirit and harmonize diversity, music is a very effective means, aroused by the Holy Spirit, which enriches through singing the worship given to God and is a sign that anticipates communion with God and the men among themselves.

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Author Biography

Camilo Gouet Viveros, Catholic University of Paris

Magister en artes y Baccalauréat canonique de théologie. Correo electrónico: camilo.gouetviveros@campusicp.fr

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